Before Moonset
John Muro
Eyes still narrowed by sleep,
I’m lured by the warbling light
that comes from just beyond my
bedroom window – succor for
the dream-weary and woebegone –
where wind has been dispatched
to whet the edges of dormers with
shafts of moonlight, fastening
moss-softened shingles, glazing
dormer panes and soldering the
fluted columns of copper down-
spouts, while fireflies appear to
rise and fall like musical notes
beneath the soffits, silently seeding
the air with undulant sparks of
blond light, some rising heaven-
wards, others dispersed into the
emptiness that sits between the
leafy stubble of oaks, and still
others falling towards the sunken
sanctuary of lawn that’s littered
with a day’s detritus – overturned
baskets; the woolly spread of
blankets; a child’s spade and rake;
and a loose tangle of rope – as if
I had somehow stumbled upon
a fatigued nightfall toiling with
its assembly of homespun instruments
strewn across a matted earth, to
reclaim and repair what’s left of
this day before primitive dawn
knocks, startles and encircles the
world, displacing dream and wonder
with its cold clarity and well-
spring of wearisome light.
Twice nominated for the Pushcart Prize and, more recently, for the Best of the Net Award, John Muro is a resident of Connecticut, a graduate of Trinity College and a lover of all things chocolate. He has published two volumes of poems – In the Lilac Hour and Pastoral Suite – in 2020 and 2022, respectively. Both books were published by Antrim House, and both are available on Amazon. John’s poems have appeared in numerous literary journals and anthologies since 2020, including Acumen, Barnstorm, Euphony, Grey Sparrow, Moria, Sky Island and the Valparaiso Review. Instagram @johntmuro.